就美食而言，空间的风格显得毫无意义，在消费市场中提供一个场所，是自我标榜或是引人遐想，无疑后者不那么自以为是。所以项目入手之初我们唯一确定的因数----它必须当代。
In terms of food, the decoration style of restaurant seems meaningless. It just providing the place forcustomers, some of the decoration styles are self-advertised, while others makecustomers reverie. It is no doubt that the latter is not so opinionated. So at thebeginning of this project the only factor we considered is:  It must be contemporary.
 
一次就餐过程实际上是一场多元感官体验，兴奋指数来源于情理之中意料之外的刺激。为此，我们制造一个陌生态的场景供人们做熟悉的事，以获得一场关于饱满的复杂体验。
Dining actually is amulti-sensory experience; excitement index is from the unexpected stimulus. So,we create a strange scene for people while they are do familiar things in orderto get a full and complicated experience.
 
金属—铝/Metal- Aluminum
 
同时兼备攻击性与保护性的材料，产生危机感与安全感的不确定性，无疑是对陌生态最好的表达方式。整个项目被单一材质包裹，分割，虚实间隔，多层模糊的视觉叠加，制作了陌生而有趣的气氛，同时保持着区块之间的联系。而区块的体量，由安全感决定。
Aluminum is both offensiveand protective materials, resulting in a sense of crisis and insecurity. It isundoubtedly the best way express to the strange scene.  The whole project is wrapped and split bysingle material.  It has virtual and realityintervals, multi-layer fuzzy superposition of visual experience. Making strangeand interesting atmosphere.  Also, it maintains the link between the blocks. The size of the block is determined by the senseof security.
 
文章来源：http://www.dinzd.com/works/edison-elvis02.html